Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Spanning over 20 years and the two vastly different countries of Japan and North Korea, The Great Wave is at once a riveting geopolitical thriller and a powerful story of the unshakable bonds between a mother, a daughter, and a sister who refuse to give up hope.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

Brave, intelligent, and eviscerating, White Noise by Pulitzer Prize winner Suzan-Lori Parks is one of the most talked about new plays tackling our rapidly unraveling social contract. We’re proud to be the only regional theatre outside New York to present White Noise this year. Winner of the 2019 Outer Critics Circle Award for Outstanding New Off-Broadway Play.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The latest play from Tony-nominated Sarah Ruhl, Becky Nurse of Salem speaks to the trials and triumphs of women today – and is also a comedic, warmhearted story about trying to do the right thing in a chaotic world.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

The missionaries of mayhem are back with their unique, badass brand of Chicano satire! Born here in the Bay and Los Angeles-based, Culture Clash first brought their dangerous and subversive version of documentary theatre to Berkeley audiences with Culture Clash in AmeriCCa, gleefully skewering American culture through the lens of the Latino experience.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Winner of the 2018 Lucille Lortel Award for Outstanding Play and the Outer Critics Circle John Gassner Award, School Girls; Or, The African Mean Girls Play is a biting comedy that tackles the universal issues of beauty and self-worth that face teenage girls across the globe.

Academy Award® winner Dianne Wiest plays Winnie in Samuel Beckett’s masterpiece Happy Days. With her husband Willie (Michael Rudko) increasingly out of reach and the earth itself threatening to swallow her whole, Winnie’s buoyant optimism shields her from the harsh glare of the inevitable in this absurdly funny and boundlessly compassionate portrait of the human spirit. The New York Times declares Wiest is “extraordinary,” capturing both the humor and the heartbreak of one of Beckett’s most popular plays in this stunning Yale Repertory Theatre production.

Academy Award® winner Dianne Wiest plays Winnie in Samuel Beckett’s masterpiece Happy Days. With her husband Willie (Michael Rudko) increasingly out of reach and the earth itself threatening to swallow her whole, Winnie’s buoyant optimism shields her from the harsh glare of the inevitable in this absurdly funny and boundlessly compassionate portrait of the human spirit. The New York Times declares Wiest is “extraordinary,” capturing both the humor and the heartbreak of one of Beckett’s most popular plays in this stunning Yale Repertory Theatre production.

Academy Award® winner Dianne Wiest plays Winnie in Samuel Beckett’s masterpiece Happy Days. With her husband Willie (Michael Rudko) increasingly out of reach and the earth itself threatening to swallow her whole, Winnie’s buoyant optimism shields her from the harsh glare of the inevitable in this absurdly funny and boundlessly compassionate portrait of the human spirit. The New York Times declares Wiest is “extraordinary,” capturing both the humor and the heartbreak of one of Beckett’s most popular plays in this stunning Yale Repertory Theatre production.

Academy Award® winner Dianne Wiest plays Winnie in Samuel Beckett’s masterpiece Happy Days. With her husband Willie (Michael Rudko) increasingly out of reach and the earth itself threatening to swallow her whole, Winnie’s buoyant optimism shields her from the harsh glare of the inevitable in this absurdly funny and boundlessly compassionate portrait of the human spirit. The New York Times declares Wiest is “extraordinary,” capturing both the humor and the heartbreak of one of Beckett’s most popular plays in this stunning Yale Repertory Theatre production.

Tony Award-winning director Michael Mayer blew the roof off Berkeley Rep in 2009 with Green Day’s American Idiot. Now he returns with a captivating world premiere musical, this time featuring a book by Tony Award-winning stage and screen writer John Logan, and music & lyrics by “America’s biggest roots band” (Rolling Stone) and multiple Grammy Award nominee The Avett Brothers.

Tony Award-winning director Michael Mayer blew the roof off Berkeley Rep in 2009 with Green Day’s American Idiot. Now he returns with a captivating world premiere musical, this time featuring a book by Tony Award-winning stage and screen writer John Logan, and music & lyrics by “America’s biggest roots band” (Rolling Stone) and multiple Grammy Award nominee The Avett Brothers.

Tony Award-winning director Michael Mayer blew the roof off Berkeley Rep in 2009 with Green Day’s American Idiot. Now he returns with a captivating world premiere musical, this time featuring a book by Tony Award-winning stage and screen writer John Logan, and music & lyrics by “America’s biggest roots band” (Rolling Stone) and multiple Grammy Award nominee The Avett Brothers.